Semester 1 - Pitch Week

So, now I'm managing a pitch/critique group.  From previous years, it's been a mixed experience for me.  I've noticed that if people are open to discussion then some good feedback can be gained, but this hasn't always been the case.  So as this was my chance to manage it i wanted to definitely maintain a good conversation level for each member's pitch.  Having said that i didn't want myself to be the sole voice and to force inputs.  I don't believe i have the right to say what is the best method to use because everyone has a different method, pace and style of working.  All i can do is offer up experiences that i went through and suggestions or tips.
Timing of the group i believe went well.  Everyone seemed to get a fair time to pitch with a fair amount of time for feedback without needing to push or limit verbally, which helped to maintain a relaxed atmosphere.
I was impressed and intrigued with some of the ideas that people had for their modules, even the topic of projection mapping and holograms came up briefly which i found quite strange as i'd not long blogged on here with similar subjects.  spooky...?
All in all for the first meeting the group seems like it could be beneficial to everyone involved throughout the year.

Powering a Ship Through Space Using Ghosts

Having the idea of the Victorian space ship being powered by ghosts I've tried to think how I can show this visually and also how to be more scientific or technical about the details.  As ghost hunters believe that power drains or electromagnetic fields (EMF) cause ghosts to manifest I thought the reverse could be used for my Victorians.  They could use mediums/psychics to drawn the power from the "otherside" to use as the source for their ships.
After reading some Victorian ghost stories today I remembered Faraday's Cage and Tesla's Coils both Victorian inventions.  Faraday's cage was to protect from electrical charges.  Tesla coils produce them.  Having a slight Dr. Frankenstein moment I wondered what if i reversed the ideas and put (hypothetically that is) Tesla Coils inside a Faraday Cage and hooked them up to a medium/psychic which was then rigged up to the ship.  This could create the visual implement i need to base the story, also adding more Victorian references.  These could also add to the audio effects/semiotics within the piece.

 

Exhibition Influence Ideas

As my project considers perception I want my final animation to stand out from just the standard animation projected on a wall or played on a monitor.


1st Idea:  Several months ago someone showed me the video of Ralph Lauren's 4D Experience of which I am extremely grateful to her for, as it blew me away.  It's opened my mind up to how I can showcase my work in a new way and I'm not restricted in the usual flat screen manner

2nd Idea: I have also come across is a 3D Holographic projection, derived from a Victorian trick called Pepper's Ghost first demonstrated in the 1860s by John Henry Pepper, which could tie in nicely with my narrative.

AG1064A: Professional Practice - Personal Statement

Proposer:  Julia Gompertz

Student Number:  0802230

Programme:  Computer Arts

Specialism(s):  3D Environment, Modelling, Animating, Audio Production, Direction, Lighting, Compositing

Personal Statement:

I would like to create an animation that utilises and pushes forms of communication and semiotics within the narrative and the mise-en-scène elements, drawing interests from psychology, science and the supernatural.

Inspiration and Interests:

Psychology:  Understanding the mind and the reasoning or the unexplained.

Communication & Etymology:  Languages or symbols in various forms fascinate me.  Whether it be social situations, science or religion.

Science:  How we understand the Universe and what lies within it, but still learning new things everyday.  How people have invented and created what we have before us.  Like an old fashioned Blue Peter “make” with things just lying around you, but on a mind-boggling scale.

History:  Understanding where things came from or re-learning things that have been forgotten.  Going back as far as you can to see the origins and where the paths actually led or changed course for specific reasons.  Also the art of historical periods, how fashion and styles have changed throughout

Theatre/Film:  The romantic nature of the process.  The work involved (scripting, direction, acting, set, lighting etc.) to produce entertainment for the human mind, but also knowing what, why and how it's entertaining.

Music/Audio:  The storytelling or emotional communication through audio gives me images in my mind.  Everyone is different therefore a huge range of images could be gained from the same piece.  In a sense we are all directors of our imagination.

I find it hard to communicate through speech a lot of the time, so my interest or motivation is to communicate my view or ideas through my work.

Career and Creative Aims:

I always said if I would have been born with brains I would have been an Architect.   The next best thing for me would be 3D Environment Artist.  As I’ve progressed through my degree I’ve had a strong pull towards Motion Graphics or Animation.  Having a varied background in Audio Engineering and Theatre Studies I still like to keep a keen foot in the door of lots of roles and Motion Graphics seems to let me do that.  Eventually my dream would be to obtain a Masters in Direction so that I can draw everything together.  Dream job, that would be creating/directing/ producing music videos, but I’m always looking for something new or different to push myself further.  Science/Historical/Fictional based films/title sequences would be other choices.

Current Skills and Abilities:

Traditional Art:  Includes life drawing and landscapes, mainly in pencil, charcoal or pastel, but open to other mediums such as ink, acrylic, watercolour and gouache.

Physical 3D Models:  I created a number of model sets using my own bare hands, these were initially for a stop motion animation project back in the 90s where home technology for 3D animation was limited for a tight budget.

Technical Drawing:  A qualification in technical drawing and reading abilities.  Studied the subject instead of Latin at school where I gained the understanding of perception and lighting.  Within my HNC of Technical Theatre Skills, my ability to read and produce design plans for sets, props and lighting in stage production grew stronger.

Audio Engineering:  I have spent various years studying the technical side and also many more years on the creative side.  This not only includes music but also radio production.

Digital Art:  Having started on my Amiga 500 many years ago at school I have changed and developed on many platforms, including Windows and generally now on Apple Macs.  Originally my main work would have been 2D and very standard animation, but as technology has risen so high between then and now, being able to create digitally in 3D has pushed my work beyond my initial dreams back in the Commodore days.

For projects I currently use Photoshop, Maya, Final Cut, Motion, Logic Pro and recently After Effects.

Skill Gaps:

Modelling & Textures:  These are definitely areas where I want to progress.  I want to keep pushing what I can achieve visually.  I don’t think there will ever be a point where I will down tools and say I can’t achieve any more in this.  There are too many competitors that wow me with what they achieve and they are the ones that inspire me to produce better work than I have previously.

Direction:  As stated previously I would like to gain a Masters Degree in Direction.  I would like to build as much foundation as possible towards that goal, which means gaining as much knowledge in the areas of lighting, cameras and narrative direction as I can.

Project Aim & Objectives

like it says on the tin Project Aim & Objectives... click the link for the highbrow stuff

Early Inspiration of Communication

The Two Ronnies have been a huge inspiration to me as they were fantastic wordsmiths and have allowed me to seen things from different perspectives and play in imagination from a very early age.
One of my earliest memories of communication techniques... still as great as it was the first time i saw it

Narrative Research & Basis

List of publications for research towards the storytelling and background.  My aim is to tie in Rene Descartes' Mind-Body Dualism philosophy with a belief in ghosts and a convincing fictitious scientific approach

The Demon-Haunted World: Science as a Candle in the Dark - Carl Sagan

The Dead of Night: The Ghost Stories of Oliver Onions - Oliver Onions
Table-rappers: The Victorians and the Occult - Ronald Pearsall
In A Glass Darkly - Sheridan La Fanu
Ghosts by Gaslight - Troy Taylor
Parapsychology Revolution: A Concise Anthology of Paranormal and Psychical Research - Robert M. Schoch
Servants of the Supernatural: The Night Side of the Victorian Mind - Antonio Melechi
Meditations and Other Metaphysical Writings - Rene Descartes
Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense - Jack Dann, Nick Gevers
A-Z Parapsychology - Jane Henry